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The diaphanous layered landscape reimagines colonial paintings from the Mitchell Library, referencing time, ecological and cultural change. Two iconic creatures are joined. In this work Glynn is reflecting on what is an ‘Australian’ landscape?","artist":[{"id":"7558","slug":"anna-glynn","title":"Anna Glynn","artworks":[{"id":"9861","imageThumbnail":[],"images":[{"id":"9860","img":"![\"Anna](\"https://franceskeevil.frb.io/artworks/GLYNN_EurotipodesColonialCapsize.jpg\")
","medium":"https://franceskeevil.frb.io/artworks/_1200xAUTO_crop_center-center_none/GLYNN_EurotipodesColonialCapsize.jpg","filename":"GLYNN_EurotipodesColonialCapsize.jpg","url":"https://franceskeevil.frb.io/artworks/GLYNN_EurotipodesColonialCapsize.jpg"}]},{"id":"14496","imageThumbnail":[],"images":[{"id":"14495","img":"![\"Anna](\"https://franceskeevil.frb.io/artworks/Anna_Glynn_Evening_shadows_backwater_of_the_Murray_South_Australia_1880.jpg\")
","medium":"https://franceskeevil.frb.io/artworks/_1200xAUTO_crop_center-center_none/Anna_Glynn_Evening_shadows_backwater_of_the_Murray_South_Australia_1880.jpg","filename":"Anna_Glynn_Evening_shadows_backwater_of_the_Murray_South_Australia_1880.jpg","url":"https://franceskeevil.frb.io/artworks/Anna_Glynn_Evening_shadows_backwater_of_the_Murray_South_Australia_1880.jpg"}]},{"id":"9854","imageThumbnail":[],"images":[{"id":"9852","img":"![\"Anna](\"https://franceskeevil.frb.io/artworks/GLYNN_Eurotipodes-Awaiting_Kangaroo_and_Sofa.jpg\")
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","medium":"https://franceskeevil.frb.io/artworks/_1200xAUTO_crop_center-center_none/AnnaGLYNN_Extinction-Coat-of-Arms.jpg","filename":"AnnaGLYNN_Extinction-Coat-of-Arms.jpg","url":"https://franceskeevil.frb.io/artworks/AnnaGLYNN_Extinction-Coat-of-Arms.jpg"},{"id":"14855","img":"![\"Triptych\"](\"https://franceskeevil.frb.io/artworks/triptych.jpg\")
","medium":"https://franceskeevil.frb.io/artworks/_1200xAUTO_crop_center-center_none/triptych.jpg","filename":"triptych.jpg","url":"https://franceskeevil.frb.io/artworks/triptych.jpg"}]}]}],"imageThumbnail":[],"images":[{"id":"9860","img":"","medium":"https://franceskeevil.frb.io/artworks/_1200xAUTO_crop_center-center_none/GLYNN_EurotipodesColonialCapsize.jpg","filename":"GLYNN_EurotipodesColonialCapsize.jpg","url":"https://franceskeevil.frb.io/artworks/GLYNN_EurotipodesColonialCapsize.jpg"}]},{"id":"14496","title":"Evening Shadows, Backwater of the Murray, South Australia, 1880","slug":"evening-shadows-backwater-of-the-murray-south-australia-1880","materials":"Digital photomontage on archival cotton rag paper\nNo. 1 in edition of 7 plus 2 artist’s proofs\n76 x 56cm","artist":[{"id":"7558","slug":"anna-glynn","title":"Anna Glynn","artworks":[{"id":"9861","imageThumbnail":[],"images":[{"id":"9860","img":"","medium":"https://franceskeevil.frb.io/artworks/_1200xAUTO_crop_center-center_none/GLYNN_EurotipodesColonialCapsize.jpg","filename":"GLYNN_EurotipodesColonialCapsize.jpg","url":"https://franceskeevil.frb.io/artworks/GLYNN_EurotipodesColonialCapsize.jpg"}]},{"id":"14496","imageThumbnail":[],"images":[{"id":"14495","img":"","medium":"https://franceskeevil.frb.io/artworks/_1200xAUTO_crop_center-center_none/Anna_Glynn_Evening_shadows_backwater_of_the_Murray_South_Australia_1880.jpg","filename":"Anna_Glynn_Evening_shadows_backwater_of_the_Murray_South_Australia_1880.jpg","url":"https://franceskeevil.frb.io/artworks/Anna_Glynn_Evening_shadows_backwater_of_the_Murray_South_Australia_1880.jpg"}]},{"id":"9854","imageThumbnail":[],"images":[{"id":"9852","img":"","medium":"https://franceskeevil.frb.io/artworks/_1200xAUTO_crop_center-center_none/GLYNN_Eurotipodes-Awaiting_Kangaroo_and_Sofa.jpg","filename":"GLYNN_Eurotipodes-Awaiting_Kangaroo_and_Sofa.jpg","url":"https://franceskeevil.frb.io/artworks/GLYNN_Eurotipodes-Awaiting_Kangaroo_and_Sofa.jpg"}]},{"id":"17616","imageThumbnail":[],"images":[{"id":"17614","img":"","medium":"https://franceskeevil.frb.io/artworks/_1200xAUTO_crop_center-center_none/AnnaGLYNN_Extinction-Coat-of-Arms.jpg","filename":"AnnaGLYNN_Extinction-Coat-of-Arms.jpg","url":"https://franceskeevil.frb.io/artworks/AnnaGLYNN_Extinction-Coat-of-Arms.jpg"},{"id":"14855","img":"","medium":"https://franceskeevil.frb.io/artworks/_1200xAUTO_crop_center-center_none/triptych.jpg","filename":"triptych.jpg","url":"https://franceskeevil.frb.io/artworks/triptych.jpg"}]}]}],"imageThumbnail":[],"images":[{"id":"14495","img":"","medium":"https://franceskeevil.frb.io/artworks/_1200xAUTO_crop_center-center_none/Anna_Glynn_Evening_shadows_backwater_of_the_Murray_South_Australia_1880.jpg","filename":"Anna_Glynn_Evening_shadows_backwater_of_the_Murray_South_Australia_1880.jpg","url":"https://franceskeevil.frb.io/artworks/Anna_Glynn_Evening_shadows_backwater_of_the_Murray_South_Australia_1880.jpg"}]},{"id":"9854","title":"Eurotipodes Awaiting – Kangaroo & Sofa","slug":"eurotipodes-awaiting-kangaroo-sofa","materials":"2023\nArchival photomontage on cotton rag paper\nEdition of 7 plus 2 artist’s proofs\n100 x 84cm / 103 x 87cm framed\n\nThis work includes references to ‘Sydney Harbour Looking West’, 1848, by Jacob Janssen. \n\nFrom archives and public collections Glynn digitally captured colonial paintings, furniture, sculptures, flora and fauna. Combining these images with contemporary nature photography, Glynn creates multilayered imagery. A world of fantasia, a place on the cusp of reality and imagination.","artist":[{"id":"7558","slug":"anna-glynn","title":"Anna Glynn","artworks":[{"id":"9861","imageThumbnail":[],"images":[{"id":"9860","img":"","medium":"https://franceskeevil.frb.io/artworks/_1200xAUTO_crop_center-center_none/GLYNN_EurotipodesColonialCapsize.jpg","filename":"GLYNN_EurotipodesColonialCapsize.jpg","url":"https://franceskeevil.frb.io/artworks/GLYNN_EurotipodesColonialCapsize.jpg"}]},{"id":"14496","imageThumbnail":[],"images":[{"id":"14495","img":"","medium":"https://franceskeevil.frb.io/artworks/_1200xAUTO_crop_center-center_none/Anna_Glynn_Evening_shadows_backwater_of_the_Murray_South_Australia_1880.jpg","filename":"Anna_Glynn_Evening_shadows_backwater_of_the_Murray_South_Australia_1880.jpg","url":"https://franceskeevil.frb.io/artworks/Anna_Glynn_Evening_shadows_backwater_of_the_Murray_South_Australia_1880.jpg"}]},{"id":"9854","imageThumbnail":[],"images":[{"id":"9852","img":"","medium":"https://franceskeevil.frb.io/artworks/_1200xAUTO_crop_center-center_none/GLYNN_Eurotipodes-Awaiting_Kangaroo_and_Sofa.jpg","filename":"GLYNN_Eurotipodes-Awaiting_Kangaroo_and_Sofa.jpg","url":"https://franceskeevil.frb.io/artworks/GLYNN_Eurotipodes-Awaiting_Kangaroo_and_Sofa.jpg"}]},{"id":"17616","imageThumbnail":[],"images":[{"id":"17614","img":"","medium":"https://franceskeevil.frb.io/artworks/_1200xAUTO_crop_center-center_none/AnnaGLYNN_Extinction-Coat-of-Arms.jpg","filename":"AnnaGLYNN_Extinction-Coat-of-Arms.jpg","url":"https://franceskeevil.frb.io/artworks/AnnaGLYNN_Extinction-Coat-of-Arms.jpg"},{"id":"14855","img":"","medium":"https://franceskeevil.frb.io/artworks/_1200xAUTO_crop_center-center_none/triptych.jpg","filename":"triptych.jpg","url":"https://franceskeevil.frb.io/artworks/triptych.jpg"}]}]}],"imageThumbnail":[],"images":[{"id":"9852","img":"","medium":"https://franceskeevil.frb.io/artworks/_1200xAUTO_crop_center-center_none/GLYNN_Eurotipodes-Awaiting_Kangaroo_and_Sofa.jpg","filename":"GLYNN_Eurotipodes-Awaiting_Kangaroo_and_Sofa.jpg","url":"https://franceskeevil.frb.io/artworks/GLYNN_Eurotipodes-Awaiting_Kangaroo_and_Sofa.jpg"}]},{"id":"17616","title":"Extinction Coat of Arms","slug":"extinction-coat-of-arms","materials":"2020\nPencil, watercolour and acrylic on Stonehenge 250gsm paper\n210 x 127cm / 220.5 x 137cm \nCoat of Arms framed under Museum Perspex (99% UV & 99% reflection control)","artist":[{"id":"7558","slug":"anna-glynn","title":"Anna Glynn","artworks":[{"id":"9861","imageThumbnail":[],"images":[{"id":"9860","img":"","medium":"https://franceskeevil.frb.io/artworks/_1200xAUTO_crop_center-center_none/GLYNN_EurotipodesColonialCapsize.jpg","filename":"GLYNN_EurotipodesColonialCapsize.jpg","url":"https://franceskeevil.frb.io/artworks/GLYNN_EurotipodesColonialCapsize.jpg"}]},{"id":"14496","imageThumbnail":[],"images":[{"id":"14495","img":"","medium":"https://franceskeevil.frb.io/artworks/_1200xAUTO_crop_center-center_none/Anna_Glynn_Evening_shadows_backwater_of_the_Murray_South_Australia_1880.jpg","filename":"Anna_Glynn_Evening_shadows_backwater_of_the_Murray_South_Australia_1880.jpg","url":"https://franceskeevil.frb.io/artworks/Anna_Glynn_Evening_shadows_backwater_of_the_Murray_South_Australia_1880.jpg"}]},{"id":"9854","imageThumbnail":[],"images":[{"id":"9852","img":"","medium":"https://franceskeevil.frb.io/artworks/_1200xAUTO_crop_center-center_none/GLYNN_Eurotipodes-Awaiting_Kangaroo_and_Sofa.jpg","filename":"GLYNN_Eurotipodes-Awaiting_Kangaroo_and_Sofa.jpg","url":"https://franceskeevil.frb.io/artworks/GLYNN_Eurotipodes-Awaiting_Kangaroo_and_Sofa.jpg"}]},{"id":"17616","imageThumbnail":[],"images":[{"id":"17614","img":"","medium":"https://franceskeevil.frb.io/artworks/_1200xAUTO_crop_center-center_none/AnnaGLYNN_Extinction-Coat-of-Arms.jpg","filename":"AnnaGLYNN_Extinction-Coat-of-Arms.jpg","url":"https://franceskeevil.frb.io/artworks/AnnaGLYNN_Extinction-Coat-of-Arms.jpg"},{"id":"14855","img":"","medium":"https://franceskeevil.frb.io/artworks/_1200xAUTO_crop_center-center_none/triptych.jpg","filename":"triptych.jpg","url":"https://franceskeevil.frb.io/artworks/triptych.jpg"}]}]}],"imageThumbnail":[],"images":[{"id":"17614","img":"","medium":"https://franceskeevil.frb.io/artworks/_1200xAUTO_crop_center-center_none/AnnaGLYNN_Extinction-Coat-of-Arms.jpg","filename":"AnnaGLYNN_Extinction-Coat-of-Arms.jpg","url":"https://franceskeevil.frb.io/artworks/AnnaGLYNN_Extinction-Coat-of-Arms.jpg"},{"id":"14855","img":"","medium":"https://franceskeevil.frb.io/artworks/_1200xAUTO_crop_center-center_none/triptych.jpg","filename":"triptych.jpg","url":"https://franceskeevil.frb.io/artworks/triptych.jpg"}]}]}],"imageThumbnail":[],"images":[{"id":"18891","url":"https://franceskeevil.frb.io/artworks/AnnaGLYNN_Colonial-Hybrid-Portrait-Lewin-Kangaroo-in-extant-colonial-dress-Small-Parakeet-by-Thomas-Watling-1792.jpg","medium":"https://franceskeevil.frb.io/artworks/_1200xAUTO_crop_center-center_none/AnnaGLYNN_Colonial-Hybrid-Portrait-Lewin-Kangaroo-in-extant-colonial-dress-Small-Parakeet-by-Thomas-Watling-1792.jpg","small":"https://franceskeevil.frb.io/artworks/_800xAUTO_crop_center-center_none/AnnaGLYNN_Colonial-Hybrid-Portrait-Lewin-Kangaroo-in-extant-colonial-dress-Small-Parakeet-by-Thomas-Watling-1792.jpg","filename":"AnnaGLYNN_Colonial-Hybrid-Portrait-Lewin-Kangaroo-in-extant-colonial-dress-Small-Parakeet-by-Thomas-Watling-1792.jpg","slug":null,"img":"![\"Anna](\"https://franceskeevil.frb.io/artworks/AnnaGLYNN_Colonial-Hybrid-Portrait-Lewin-Kangaroo-in-extant-colonial-dress-Small-Parakeet-by-Thomas-Watling-1792.jpg\")
"}]},"exhibition":{"id":"17603","locationUrl":null,"location":"Frances Keevil at Studio W - 6 Bourke St, Woolloomooloo Wed - Sun, 11 - 5","title":"ANNA GLYNN | AMUSEMENT | Curated by Dr. Natalie McDonagh","slug":"anna-glynn-amusement","pageText":"“Amusement - a tantalising glimpse into the art and mind of Anna Glynn.\n \nThe invitation here is to look. To look closely. Look very closely, for there is a sleight of hand at play here. Do not let your eye or mind be deceived by pleasing, playful appearances. These are deeply serious works drawing on immaculate intellectual, historical and environmental research. Glynn is an artist willingly, and very ably, taking an unflinching look at European ways of seeing and thinking about Australia since colonisation.\n \nStanding in front of Glynn’s works in this exhibition you may find yourself having an Alice-Through-the-Looking-Glass experience, entering a strange world, complete with giant chess board. It may be unnerving at times but you will be rewarded in ways impossible to predict.”\n \nDr Natalie McDonagh\nCurator\n\n\nARTIST STATEMENT\n\"In these works, I embrace the Australian landscape as a stage, a scene for reflection and for the reimagination of historical narratives. \n\nThis is a world of fantasia, a place on the cusp of reality and imagination featuring strange natural history tableaux. In essence this is a fantasy leading to reflection and to the reawakening of our sense of wonder with our surroundings and the environment - a visual entry point into an incongruous early European vision of Australia.\" \n\n\nEXHIBITION LAUNCH \nSATURDAY 17 MAY 4 – 6 PM\n\nCURATOR & ARTIST IN CONVERSATION\nSATURDAY 24 MAY 3 PM\nRSVP: FRANCES KEEVIL 0411 821 550 / FRANCES@FRANCESKEEVIL.COM.AU","date":"2025-05-14T01:00:00+00:00","catalogue":[{"id":"19416","filename":"Catalogue_AnnaGLYNN_Amusement_May2025_FrancesKeevil.pdf","url":"https://franceskeevil.frb.io/catalogue/Catalogue_AnnaGLYNN_Amusement_May2025_FrancesKeevil.pdf"}],"endDate":"2025-06-01T07:00:00+00:00","images":[{"id":"19002","url":"https://franceskeevil.frb.io/artworks/WEB_BANNER2_AnnaGLYNN_Amusement.jpg","filename":"WEB_BANNER2_AnnaGLYNN_Amusement.jpg","slug":null,"img":"![\"WEB](\"https://franceskeevil.frb.io/artworks/WEB_BANNER2_AnnaGLYNN_Amusement.jpg\")
"}],"artist":[{"id":"7558","slug":"anna-glynn","title":"Anna Glynn","images":[{"id":"14388","url":"https://franceskeevil.frb.io/artworks/AnnaGlynn_EurotipodeanBlueApparition-Art.jpg","filename":"AnnaGlynn_EurotipodeanBlueApparition-Art.jpg","slug":null,"img":"![\"Anna](\"https://franceskeevil.frb.io/artworks/AnnaGlynn_EurotipodeanBlueApparition-Art.jpg\")
"},{"id":"7556","url":"https://franceskeevil.frb.io/artworks/GLYNN_StubbsDingoSwallowsPonies_LR.jpg","filename":"GLYNN_StubbsDingoSwallowsPonies_LR.jpg","slug":null,"img":"![\"ANNA](\"https://franceskeevil.frb.io/artworks/GLYNN_StubbsDingoSwallowsPonies_LR.jpg\")
"}]}],"artworks":[{"id":"17606","slug":"extinction-game-norfolk-island-kaka-exh","title":"Extinction Game - Norfolk Island Kaka","sold":[],"pageText":null,"price":"$7,500 (framed)","materials":"2020\nPencil and watercolour on Stonehenge 250gsm paper\n95 x 62cm unframed / 120 x 80cm framed\n\n'Extinction Game - Norfolk Island Kaka’ reimagines a historical portrait of an extinct Norfolk Island Kaka, surviving in captivity until 1851. The parakeet perches, a losing player. \nThe black and white chess board expresses the ‘game’ of survival.","showPrice":["true"],"artist":[{"id":"7558","slug":"anna-glynn","title":"Anna Glynn"}],"imageThumbnail":[],"images":[{"id":"17626","url":"https://franceskeevil.frb.io/artworks/AnnGLYNN_Extinction-Game-Norfolk-Island-Kaka.jpg","small":"https://franceskeevil.frb.io/artworks/_800xAUTO_crop_center-center_none/AnnGLYNN_Extinction-Game-Norfolk-Island-Kaka.jpg","medium":"https://franceskeevil.frb.io/artworks/_1200xAUTO_crop_center-center_none/AnnGLYNN_Extinction-Game-Norfolk-Island-Kaka.jpg","filename":"AnnGLYNN_Extinction-Game-Norfolk-Island-Kaka.jpg","slug":null,"img":"![\"Ann](\"https://franceskeevil.frb.io/artworks/AnnGLYNN_Extinction-Game-Norfolk-Island-Kaka.jpg\")
"},{"id":"14855","url":"https://franceskeevil.frb.io/artworks/triptych.jpg","small":"https://franceskeevil.frb.io/artworks/_800xAUTO_crop_center-center_none/triptych.jpg","medium":"https://franceskeevil.frb.io/artworks/_1200xAUTO_crop_center-center_none/triptych.jpg","filename":"triptych.jpg","slug":null,"img":""}]},{"id":"17616","slug":"extinction-coat-of-arms","title":"Extinction Coat of Arms","sold":[],"pageText":"'Extinction Coat of Arms' creates a new national symbol. Glynn references and reimagines Australian historical images. \nAll the Australian fauna depicted in this work, are extinct. The design reinterprets our coat of arms. An intense red for the kangaroo and emu flanking the national plant, golden wattle.","price":"Price on Application (POA)","materials":"2020\nPencil, watercolour and acrylic on Stonehenge 250gsm paper\n210 x 127cm / 220.5 x 137cm \nCoat of Arms framed under Museum Perspex (99% UV & 99% reflection control)","showPrice":["true"],"artist":[{"id":"7558","slug":"anna-glynn","title":"Anna Glynn"}],"imageThumbnail":[],"images":[{"id":"17614","url":"https://franceskeevil.frb.io/artworks/AnnaGLYNN_Extinction-Coat-of-Arms.jpg","small":"https://franceskeevil.frb.io/artworks/_800xAUTO_crop_center-center_none/AnnaGLYNN_Extinction-Coat-of-Arms.jpg","medium":"https://franceskeevil.frb.io/artworks/_1200xAUTO_crop_center-center_none/AnnaGLYNN_Extinction-Coat-of-Arms.jpg","filename":"AnnaGLYNN_Extinction-Coat-of-Arms.jpg","slug":null,"img":""},{"id":"14855","url":"https://franceskeevil.frb.io/artworks/triptych.jpg","small":"https://franceskeevil.frb.io/artworks/_800xAUTO_crop_center-center_none/triptych.jpg","medium":"https://franceskeevil.frb.io/artworks/_1200xAUTO_crop_center-center_none/triptych.jpg","filename":"triptych.jpg","slug":null,"img":""}]},{"id":"17608","slug":"extinction-game-red-crowned-parakeet-exh","title":"Extinction Game – Red-Crowned Parakeet","sold":[],"pageText":null,"price":"$7,500 (framed)","materials":"2020\nPencil and watercolour on Stonehenge 250gsm paper\n95 x 62cm unframed / 120 x 80cm framed\n\n'Extinction Game - Red-Crowned Parakeet’ reimagines a historical portrait of an extinct Australian bird. This parrot was endemic to Lord Howe and is extinct since 1870.\nThe black and white chess board may refer to a game, to burnt and unburnt, to race, to colonial floorcloths, to finance (the French escheker), to ‘checkered’ alternations of good and bad.","showPrice":["true"],"artist":[{"id":"7558","slug":"anna-glynn","title":"Anna Glynn"}],"imageThumbnail":[],"images":[{"id":"17623","url":"https://franceskeevil.frb.io/artworks/AnnaGLYNN_Extinction-Game-Red-Crowned-Parakeet.jpg","small":"https://franceskeevil.frb.io/artworks/_800xAUTO_crop_center-center_none/AnnaGLYNN_Extinction-Game-Red-Crowned-Parakeet.jpg","medium":"https://franceskeevil.frb.io/artworks/_1200xAUTO_crop_center-center_none/AnnaGLYNN_Extinction-Game-Red-Crowned-Parakeet.jpg","filename":"AnnaGLYNN_Extinction-Game-Red-Crowned-Parakeet.jpg","slug":null,"img":"![\"Anna](\"https://franceskeevil.frb.io/artworks/AnnaGLYNN_Extinction-Game-Red-Crowned-Parakeet.jpg\")
"},{"id":"14855","url":"https://franceskeevil.frb.io/artworks/triptych.jpg","small":"https://franceskeevil.frb.io/artworks/_800xAUTO_crop_center-center_none/triptych.jpg","medium":"https://franceskeevil.frb.io/artworks/_1200xAUTO_crop_center-center_none/triptych.jpg","filename":"triptych.jpg","slug":null,"img":""}]},{"id":"18943","slug":"stubbs-kongouro-1770-in-ballgown-surveying-anonymous-castle-hill-landscape","title":"Stubbs Kongouro 1770 in ballgown surveying anonymous Castle Hill landscape","sold":[],"pageText":null,"price":"$4,800","materials":"2017\nInk, watercolour & pencil on Arches paper\n40 x 60 cm / 66 x 85 cm framed\n\nReferencing ‘Government agricultural establishment Castle Hill, c. 1806’. The Castle Hill landscape has been massively cleared and altered. \n\nThe hybrid kangaroo is taken from the first depiction of an Australian animal in Western Art, ‘Kongouro from New Holland’ by George Stubbs. \nThe gown is from Ann Marsden in the Powerhouse Museum, Sydney","showPrice":["true"],"artist":[{"id":"7558","slug":"anna-glynn","title":"Anna Glynn"}],"imageThumbnail":[],"images":[{"id":"18895","url":"https://franceskeevil.frb.io/artworks/AnnaGLYNN_Colonial-Hybrid-Stubbs-Kongouro-1770-in-ballgown-from-Ann-Marsden-1820-surveying-anonymous-Castle-Hill-landscape-1806.jpg","small":"https://franceskeevil.frb.io/artworks/_800xAUTO_crop_center-center_none/AnnaGLYNN_Colonial-Hybrid-Stubbs-Kongouro-1770-in-ballgown-from-Ann-Marsden-1820-surveying-anonymous-Castle-Hill-landscape-1806.jpg","medium":"https://franceskeevil.frb.io/artworks/_1200xAUTO_crop_center-center_none/AnnaGLYNN_Colonial-Hybrid-Stubbs-Kongouro-1770-in-ballgown-from-Ann-Marsden-1820-surveying-anonymous-Castle-Hill-landscape-1806.jpg","filename":"AnnaGLYNN_Colonial-Hybrid-Stubbs-Kongouro-1770-in-ballgown-from-Ann-Marsden-1820-surveying-anonymous-Castle-Hill-landscape-1806.jpg","slug":null,"img":"![\"Anna](\"https://franceskeevil.frb.io/artworks/AnnaGLYNN_Colonial-Hybrid-Stubbs-Kongouro-1770-in-ballgown-from-Ann-Marsden-1820-surveying-anonymous-Castle-Hill-landscape-1806.jpg\")
"}]},{"id":"18939","slug":"colonial-hybrid-reimagined-from-j-w-lewin-male-female-red-kangaroo-in-a-liverpool-plains-landscape-1819","title":"Colonial Hybrid Reimagined from J.W. Lewin - Male & female red kangaroo in a Liverpool Plains landscape 1819","sold":[],"pageText":null,"price":"$5,000","materials":"2017\nInk, watercolour & pencil on Arches paper\n51 x 66 cm / 75 x 87 cm framed\n\nIn this hybrid painting, Glynn inserts unexpected elements and combinations – historical mashups to invite the viewer to experience what was new!\nReferencing ‘Male and female red kangaroo in a Liverpool Plains landscape’ ca. 1819 attributed to J.W. Lewin. \nThe gown is a day dress worn by Julia Johnston from the Museum of Applied Arts & Sciences, Sydney.","showPrice":["true"],"artist":[{"id":"7558","slug":"anna-glynn","title":"Anna Glynn"}],"imageThumbnail":[],"images":[{"id":"18894","url":"https://franceskeevil.frb.io/artworks/AnnaGLYNN_Colonial-Hybrid-Reimagined-from-JWLewin-Male-female-red-kangaroo.jpg","small":"https://franceskeevil.frb.io/artworks/_800xAUTO_crop_center-center_none/AnnaGLYNN_Colonial-Hybrid-Reimagined-from-JWLewin-Male-female-red-kangaroo.jpg","medium":"https://franceskeevil.frb.io/artworks/_1200xAUTO_crop_center-center_none/AnnaGLYNN_Colonial-Hybrid-Reimagined-from-JWLewin-Male-female-red-kangaroo.jpg","filename":"AnnaGLYNN_Colonial-Hybrid-Reimagined-from-JWLewin-Male-female-red-kangaroo.jpg","slug":null,"img":"![\"Anna](\"https://franceskeevil.frb.io/artworks/AnnaGLYNN_Colonial-Hybrid-Reimagined-from-JWLewin-Male-female-red-kangaroo.jpg\")
"}]},{"id":"18941","slug":"colonial-hybrid-reimagined-from-joseph-lycett-view-of-the-female-orphan-school-near-parramatta-1824","title":"Colonial Hybrid Reimagined from Joseph Lycett - View of the Female Orphan School, near Parramatta, 1824","sold":[],"pageText":null,"price":"$4,800","materials":"2017\nInk, watercolour & pencil on Arches paper\n44 x 57 cm / 75 x 87 cm framed\n\nReferencing Joseph Lycett’s work, ‘View of the Female Orphan School, near Parramatta, 1824’. \nThis is one of the very few surviving public buildings of its size dating from the early colonial period and is now part of Western Sydney University.\nThe hybrid kangaroo creature is symbolically bearing witness to complex historical stories.\n\nMitchell Library, State Library NSW","showPrice":["true"],"artist":[{"id":"7558","slug":"anna-glynn","title":"Anna Glynn"}],"imageThumbnail":[],"images":[{"id":"18893","url":"https://franceskeevil.frb.io/artworks/AnnaGLYNN_Colonial-Hybrid-Reimagined-from-Joseph-Lycett-View-of-the-Female-Orphan-School-near-Parramatta-1824.jpg","small":"https://franceskeevil.frb.io/artworks/_800xAUTO_crop_center-center_none/AnnaGLYNN_Colonial-Hybrid-Reimagined-from-Joseph-Lycett-View-of-the-Female-Orphan-School-near-Parramatta-1824.jpg","medium":"https://franceskeevil.frb.io/artworks/_1200xAUTO_crop_center-center_none/AnnaGLYNN_Colonial-Hybrid-Reimagined-from-Joseph-Lycett-View-of-the-Female-Orphan-School-near-Parramatta-1824.jpg","filename":"AnnaGLYNN_Colonial-Hybrid-Reimagined-from-Joseph-Lycett-View-of-the-Female-Orphan-School-near-Parramatta-1824.jpg","slug":null,"img":"![\"Anna](\"https://franceskeevil.frb.io/artworks/AnnaGLYNN_Colonial-Hybrid-Reimagined-from-Joseph-Lycett-View-of-the-Female-Orphan-School-near-Parramatta-1824.jpg\")
"}]},{"id":"18937","slug":"antipodean-wonderland-tableaux-cockatoo-of-port-jackson","title":"Antipodean Wonderland Tableaux Cockatoo of Port Jackson","sold":[],"pageText":null,"price":"$8,000","materials":"2017\nInk, watercolour & pencil on Arches paper\n66 x 102 cm / 91 x 125 cm framed\n\nThis reimagined landscape painting references many images by colonial artists such as Raper and Lewin. \n\nOriginal artworks referenced include those in the Natural History Museum in London.","showPrice":["true"],"artist":[{"id":"7558","slug":"anna-glynn","title":"Anna Glynn"}],"imageThumbnail":[],"images":[{"id":"18888","url":"https://franceskeevil.frb.io/artworks/AnnaGLYNN_Antipodean_Wonderland_Tableaux_Cockatoo_of_Port_Jackson.jpg","small":"https://franceskeevil.frb.io/artworks/_800xAUTO_crop_center-center_none/AnnaGLYNN_Antipodean_Wonderland_Tableaux_Cockatoo_of_Port_Jackson.jpg","medium":"https://franceskeevil.frb.io/artworks/_1200xAUTO_crop_center-center_none/AnnaGLYNN_Antipodean_Wonderland_Tableaux_Cockatoo_of_Port_Jackson.jpg","filename":"AnnaGLYNN_Antipodean_Wonderland_Tableaux_Cockatoo_of_Port_Jackson.jpg","slug":null,"img":"![\"Anna](\"https://franceskeevil.frb.io/artworks/AnnaGLYNN_Antipodean_Wonderland_Tableaux_Cockatoo_of_Port_Jackson.jpg\")
"}]},{"id":"18925","slug":"superimposition-colonial-selfie-im-extant-theyre-extinct","title":"Superimposition, Colonial Selfie, I’m Extant, They’re Extinct","sold":[],"pageText":"Finalist 2020 Hurford Hardwood Portrait Prize","price":"$7,200","materials":"2020\nUnique Photomontage on 310gsm cotton rag\n80 x 51 cm / 102 x 72 cm framed\n\n‘Superimposition, Colonial Selfie, I’m Extant, They’re Extinct’ is composed of two layers: an original photographic self-portrait and beneath this diaphanous image is an image of Glynn’s watercolour self-portrait.\n\nHer body is infilled with her reimagined renditions of Australian colonial fauna paintings. All the native animals depicted are extinct.","showPrice":["true"],"artist":[{"id":"7558","slug":"anna-glynn","title":"Anna Glynn"}],"imageThumbnail":[],"images":[{"id":"18901","url":"https://franceskeevil.frb.io/artworks/AnnaGLYNN_Superimposition_Colonial-Selfie-I’m-Extant-They’re-Extinct.jpg","small":"https://franceskeevil.frb.io/artworks/_800xAUTO_crop_center-center_none/AnnaGLYNN_Superimposition_Colonial-Selfie-I’m-Extant-They’re-Extinct.jpg","medium":"https://franceskeevil.frb.io/artworks/_1200xAUTO_crop_center-center_none/AnnaGLYNN_Superimposition_Colonial-Selfie-I’m-Extant-They’re-Extinct.jpg","filename":"AnnaGLYNN_Superimposition_Colonial-Selfie-I’m-Extant-They’re-Extinct.jpg","slug":null,"img":"![\"Anna](\"https://franceskeevil.frb.io/artworks/AnnaGLYNN_Superimposition_Colonial-Selfie-I’m-Extant-They’re-Extinct.jpg\")
"}]},{"id":"18945","slug":"antipodean-wonderland-tableaux-stubbs-dingo","title":"Antipodean Wonderland Tableaux Stubbs Dingo","sold":[],"pageText":null,"price":"$5,400","materials":"2017\nInk, watercolour & pencil on Arches paper\n51 x 66 cm / 75 x 87 cm framed\n\nA fantastical reimagining referencing George Stubbs Dingo Kongouro from New Holland (1768–71) \n\nJoseph Banks sent a dingo pelt to London from the colonies and commissioned Stubbs to paint this new creature. Stubbs apparently had the skin sewn together and inflated it as his reference for the final painting.","showPrice":["true"],"artist":[{"id":"7558","slug":"anna-glynn","title":"Anna Glynn"}],"imageThumbnail":[],"images":[{"id":"18907","url":"https://franceskeevil.frb.io/artworks/AnnaGLYNN_Antipodean-Wonderland-Tableaux-Stubbs-Dingo.jpg","small":"https://franceskeevil.frb.io/artworks/_800xAUTO_crop_center-center_none/AnnaGLYNN_Antipodean-Wonderland-Tableaux-Stubbs-Dingo.jpg","medium":"https://franceskeevil.frb.io/artworks/_1200xAUTO_crop_center-center_none/AnnaGLYNN_Antipodean-Wonderland-Tableaux-Stubbs-Dingo.jpg","filename":"AnnaGLYNN_Antipodean-Wonderland-Tableaux-Stubbs-Dingo.jpg","slug":null,"img":"![\"Anna](\"https://franceskeevil.frb.io/artworks/AnnaGLYNN_Antipodean-Wonderland-Tableaux-Stubbs-Dingo.jpg\")
"}]},{"id":"18928","slug":"extinction-game-eastern-hare-wallaby","title":"Extinction Game - Eastern Hare Wallaby","sold":[],"pageText":"Finalist 2020 Basil Sellars Art Prize","price":"$12,500","materials":"2020\nacrylic on canvas\n123 x 153 cm\n\n'Extinction Game - Eastern Hare Wallaby' responds to devastation and renewal in Glynn’s local fire-ravaged landscape.\nInfluenced by colonial images, the extinct Eastern Hare Wallaby sits, a losing player upon a black and white chess board. The last specimen of the Eastern Hare Wallaby was ‘collected’ in 1889.","showPrice":["true"],"artist":[{"id":"7558","slug":"anna-glynn","title":"Anna Glynn"}],"imageThumbnail":[],"images":[{"id":"18898","url":"https://franceskeevil.frb.io/artworks/AnnaGLYNN_Extinction-Game-Eastern-Hare-Wallaby.jpg","small":"https://franceskeevil.frb.io/artworks/_800xAUTO_crop_center-center_none/AnnaGLYNN_Extinction-Game-Eastern-Hare-Wallaby.jpg","medium":"https://franceskeevil.frb.io/artworks/_1200xAUTO_crop_center-center_none/AnnaGLYNN_Extinction-Game-Eastern-Hare-Wallaby.jpg","filename":"AnnaGLYNN_Extinction-Game-Eastern-Hare-Wallaby.jpg","slug":null,"img":"![\"Anna](\"https://franceskeevil.frb.io/artworks/AnnaGLYNN_Extinction-Game-Eastern-Hare-Wallaby.jpg\")
"}]},{"id":"18973","slug":"antipodean-waltz","title":"Antipodean Waltz","sold":[],"pageText":null,"price":"POA","materials":"2018\n3D printed heads, 3 silk dresses with graphite drawing, reimagined from 1822 Ball Gown, collection of Museum of Applied Arts and Sciences, Sydney.\n\nEncouraging reflection on the post-industrial revolution colonists, meeting the hunter gatherer society of the indigenous Australians. \nWith these hybrid kangaroo figures, the interpretation of events by both sides is represented.\n\nInspired by Indigenous rock art from the time of colonization, and scientific colonial drawings of corroborees, hunting and fishing. \n\nGlynn brings these two views together in this work.","showPrice":["true"],"artist":[{"id":"7558","slug":"anna-glynn","title":"Anna Glynn"}],"imageThumbnail":[],"images":[{"id":"18972","url":"https://franceskeevil.frb.io/artworks/AnnaGLYNN_Antipodean-Waltz-and-Anna.jpg","small":"https://franceskeevil.frb.io/artworks/_800xAUTO_crop_center-center_none/AnnaGLYNN_Antipodean-Waltz-and-Anna.jpg","medium":"https://franceskeevil.frb.io/artworks/_1200xAUTO_crop_center-center_none/AnnaGLYNN_Antipodean-Waltz-and-Anna.jpg","filename":"AnnaGLYNN_Antipodean-Waltz-and-Anna.jpg","slug":null,"img":"![\"Anna](\"https://franceskeevil.frb.io/artworks/AnnaGLYNN_Antipodean-Waltz-and-Anna.jpg\")
"},{"id":"18905","url":"https://franceskeevil.frb.io/artworks/AnnaGLYNN_Antipodean-Waltz_Promiscuous-Provenance_at-Noosa.RegionalGallery.jpg","small":"https://franceskeevil.frb.io/artworks/_800xAUTO_crop_center-center_none/AnnaGLYNN_Antipodean-Waltz_Promiscuous-Provenance_at-Noosa.RegionalGallery.jpg","medium":"https://franceskeevil.frb.io/artworks/_1200xAUTO_crop_center-center_none/AnnaGLYNN_Antipodean-Waltz_Promiscuous-Provenance_at-Noosa.RegionalGallery.jpg","filename":"AnnaGLYNN_Antipodean-Waltz_Promiscuous-Provenance_at-Noosa.RegionalGallery.jpg","slug":null,"img":"![\"Anna](\"https://franceskeevil.frb.io/artworks/AnnaGLYNN_Antipodean-Waltz_Promiscuous-Provenance_at-Noosa.RegionalGallery.jpg\")
"},{"id":"18971","url":"https://franceskeevil.frb.io/artworks/AnnaGLYNN_Antipodean-Waltz_dress-detail_2.jpg","small":"https://franceskeevil.frb.io/artworks/_800xAUTO_crop_center-center_none/AnnaGLYNN_Antipodean-Waltz_dress-detail_2.jpg","medium":"https://franceskeevil.frb.io/artworks/_1200xAUTO_crop_center-center_none/AnnaGLYNN_Antipodean-Waltz_dress-detail_2.jpg","filename":"AnnaGLYNN_Antipodean-Waltz_dress-detail_2.jpg","slug":null,"img":"![\"Anna](\"https://franceskeevil.frb.io/artworks/AnnaGLYNN_Antipodean-Waltz_dress-detail_2.jpg\")
"},{"id":"18904","url":"https://franceskeevil.frb.io/artworks/AnnaGLYNN_Antipodean-Waltz_detail-1_kanga.jpg","small":"https://franceskeevil.frb.io/artworks/_800xAUTO_crop_center-center_none/AnnaGLYNN_Antipodean-Waltz_detail-1_kanga.jpg","medium":"https://franceskeevil.frb.io/artworks/_1200xAUTO_crop_center-center_none/AnnaGLYNN_Antipodean-Waltz_detail-1_kanga.jpg","filename":"AnnaGLYNN_Antipodean-Waltz_detail-1_kanga.jpg","slug":null,"img":"![\"Anna](\"https://franceskeevil.frb.io/artworks/AnnaGLYNN_Antipodean-Waltz_detail-1_kanga.jpg\")
"}]},{"id":"7562","slug":"stubbs-dingo-swallows-ponies","title":"Stubbs Dingo Swallows Ponies","sold":[],"pageText":"Finalist 2020 Fisher’s Ghost Art Award","price":"$9,000","materials":"2020\nwatercolour and pencil on Arches paper\n65 x 102cm / 93 x 120cm framed\n\nIn this reimagined hybrid landscape, Glynn references 'Portrait of a Large Dog' (Dingo), commissioned by Sir Joseph Banks and painted from an inflated pelt by the acclaimed British painter, George Stubbs. \n\nAn inaccurate Australian native fauna silhouette swallows a menagerie of loosely stylized ponies by Stubbs to create a romantic antipodean anomaly.","showPrice":["true"],"artist":[{"id":"7558","slug":"anna-glynn","title":"Anna Glynn"}],"imageThumbnail":[{"id":"9837","url":"https://franceskeevil.frb.io/artworks/GLYNN_Stubbs_Dingo_Swallows_Ponies_THUMB.jpg","filename":"GLYNN_Stubbs_Dingo_Swallows_Ponies_THUMB.jpg","slug":null,"small":"https://franceskeevil.frb.io/artworks/_800xAUTO_crop_center-center_none/GLYNN_Stubbs_Dingo_Swallows_Ponies_THUMB.jpg","medium":"https://franceskeevil.frb.io/artworks/_1200xAUTO_crop_center-center_none/GLYNN_Stubbs_Dingo_Swallows_Ponies_THUMB.jpg"}],"images":[{"id":"7556","url":"https://franceskeevil.frb.io/artworks/GLYNN_StubbsDingoSwallowsPonies_LR.jpg","small":"https://franceskeevil.frb.io/artworks/_800xAUTO_crop_center-center_none/GLYNN_StubbsDingoSwallowsPonies_LR.jpg","medium":"https://franceskeevil.frb.io/artworks/_1200xAUTO_crop_center-center_none/GLYNN_StubbsDingoSwallowsPonies_LR.jpg","filename":"GLYNN_StubbsDingoSwallowsPonies_LR.jpg","slug":null,"img":""}]},{"id":"18933","slug":"colonial-hybrid-portrait-lewin-kangaroo-in-extant-colonial-dress-small-parakeet-by-thomas-watling-1792","title":"Colonial Hybrid Portrait: Lewin Kangaroo in extant colonial dress Small Parakeet by Thomas Watling 1792","sold":[],"pageText":null,"price":"$4,200","materials":"2017\nInk, watercolour & pencil on Arches paper\n56 x 46 cm / 78 x 67 cm framed\n\nThis hybrid portrait is inspired by the painting 'Two kangaroos on the Liverpool Plains, New South Wales', Attributed to John Lewin, from the collection of the National Library of Australia.\n\nThe historic colonial gown is from the Museum of Applied Arts & Sciences / Powerhouse.","showPrice":["true"],"artist":[{"id":"7558","slug":"anna-glynn","title":"Anna Glynn"}],"imageThumbnail":[],"images":[{"id":"18891","url":"https://franceskeevil.frb.io/artworks/AnnaGLYNN_Colonial-Hybrid-Portrait-Lewin-Kangaroo-in-extant-colonial-dress-Small-Parakeet-by-Thomas-Watling-1792.jpg","small":"https://franceskeevil.frb.io/artworks/_800xAUTO_crop_center-center_none/AnnaGLYNN_Colonial-Hybrid-Portrait-Lewin-Kangaroo-in-extant-colonial-dress-Small-Parakeet-by-Thomas-Watling-1792.jpg","medium":"https://franceskeevil.frb.io/artworks/_1200xAUTO_crop_center-center_none/AnnaGLYNN_Colonial-Hybrid-Portrait-Lewin-Kangaroo-in-extant-colonial-dress-Small-Parakeet-by-Thomas-Watling-1792.jpg","filename":"AnnaGLYNN_Colonial-Hybrid-Portrait-Lewin-Kangaroo-in-extant-colonial-dress-Small-Parakeet-by-Thomas-Watling-1792.jpg","slug":null,"img":""}]},{"id":"18935","slug":"colonial-hybrid-portrait-lewin-kangaroo-in-wedding-dress-with-parrot","title":"Colonial Hybrid Portrait: Lewin Kangaroo in Wedding Dress with Parrot","sold":[],"pageText":null,"price":"$4,200","materials":"2017\nInk, watercolour & pencil on Arches paper\n56 x 46 cm / 78 x 67 cm framed\n\nThis hybrid portrait is inspired by the painting ‘Kangaroos’ Attributed to John Lewin, unsigned, 1800-1806\nFrom the Royal College of Surgeons, London.\n\nThe Harvard Wedding dress, is from the collection: Museum of Applied Arts & Sciences, Sydney.","showPrice":["true"],"artist":[{"id":"7558","slug":"anna-glynn","title":"Anna Glynn"}],"imageThumbnail":[],"images":[{"id":"18890","url":"https://franceskeevil.frb.io/artworks/AnnaGLYNN_Colonial_Hybrid_Portrait_Lewin_Kangaroo_in_Wedding_Dress_with_Parrot.jpg","small":"https://franceskeevil.frb.io/artworks/_800xAUTO_crop_center-center_none/AnnaGLYNN_Colonial_Hybrid_Portrait_Lewin_Kangaroo_in_Wedding_Dress_with_Parrot.jpg","medium":"https://franceskeevil.frb.io/artworks/_1200xAUTO_crop_center-center_none/AnnaGLYNN_Colonial_Hybrid_Portrait_Lewin_Kangaroo_in_Wedding_Dress_with_Parrot.jpg","filename":"AnnaGLYNN_Colonial_Hybrid_Portrait_Lewin_Kangaroo_in_Wedding_Dress_with_Parrot.jpg","slug":null,"img":"![\"Anna](\"https://franceskeevil.frb.io/artworks/AnnaGLYNN_Colonial_Hybrid_Portrait_Lewin_Kangaroo_in_Wedding_Dress_with_Parrot.jpg\")
"}]},{"id":"18947","slug":"colonial-hybrid-raper-and-parrot","title":"Colonial Hybrid: Raper and Parrot","sold":[],"pageText":null,"price":"$2,400","materials":"2017\nInk, watercolour & pencil on Arches paper\n31 x 23 cm / 43 x 37 cm framed\n\nThis hybrid portrait clad in a colonial wedding dress from the Armidale region, is inspired by a 1789 painting by George Raper from the First Fleet Collection, Natural History Museum, London. \n\nImagine arriving to a land full of almost impossible and unimaginable flora and fauna!","showPrice":["true"],"artist":[{"id":"7558","slug":"anna-glynn","title":"Anna Glynn"}],"imageThumbnail":[],"images":[{"id":"18892","url":"https://franceskeevil.frb.io/artworks/AnnaGLYNN_ColonialHybrid-Raper-and-Parrot.jpg","small":"https://franceskeevil.frb.io/artworks/_800xAUTO_crop_center-center_none/AnnaGLYNN_ColonialHybrid-Raper-and-Parrot.jpg","medium":"https://franceskeevil.frb.io/artworks/_1200xAUTO_crop_center-center_none/AnnaGLYNN_ColonialHybrid-Raper-and-Parrot.jpg","filename":"AnnaGLYNN_ColonialHybrid-Raper-and-Parrot.jpg","slug":null,"img":"![\"Anna](\"https://franceskeevil.frb.io/artworks/AnnaGLYNN_ColonialHybrid-Raper-and-Parrot.jpg\")
"}]},{"id":"18968","slug":"asunder","title":"Asunder","sold":[],"pageText":null,"price":"$11,000","materials":"1994 \nOil on canvas\n173 x 133cm to edge of raw canvas, in 2 pieces\n\nPainted at Ramsholt, Suffolk, UK in the studio of Arthur Boyd. \nDuring her time at Ramsholt Glynn noticed many pheasants in the landscape. (The birds are bred and released for recreational hunting)\n\nThe pheasants are portrayed beneath the sky with a gathering storm. A portend for their approaching martyrdom.","showPrice":["true"],"artist":[{"id":"7558","slug":"anna-glynn","title":"Anna Glynn"}],"imageThumbnail":[],"images":[{"id":"18889","url":"https://franceskeevil.frb.io/artworks/AnnaGLYNN_Asunder.jpg","small":"https://franceskeevil.frb.io/artworks/_800xAUTO_crop_center-center_none/AnnaGLYNN_Asunder.jpg","medium":"https://franceskeevil.frb.io/artworks/_1200xAUTO_crop_center-center_none/AnnaGLYNN_Asunder.jpg","filename":"AnnaGLYNN_Asunder.jpg","slug":null,"img":"![\"Anna](\"https://franceskeevil.frb.io/artworks/AnnaGLYNN_Asunder.jpg\")
"}]},{"id":"18966","slug":"the-foreigner-peacocks-and-sunflowers","title":"The Foreigner - Peacocks and Sunflowers","sold":[],"pageText":null,"price":"$8,500","materials":"1994 \nOil on canvas\n79 x 99 cm\n\nPainted at Paretaio, Tuscany, Italy in the studio of Arthur Boyd.\nAn ostentation of peacocks is gathered on the rolling Tuscan hills. A yellow sunflower which represents Glynn, is unsuccessfully attempting to blend into this Italian landscape – the foreigner.","showPrice":["true"],"artist":[{"id":"7558","slug":"anna-glynn","title":"Anna Glynn"}],"imageThumbnail":[],"images":[{"id":"18902","url":"https://franceskeevil.frb.io/artworks/AnnaGLYNN_The_Foreigner_Peacocks_and_Sunflowers.jpg","small":"https://franceskeevil.frb.io/artworks/_800xAUTO_crop_center-center_none/AnnaGLYNN_The_Foreigner_Peacocks_and_Sunflowers.jpg","medium":"https://franceskeevil.frb.io/artworks/_1200xAUTO_crop_center-center_none/AnnaGLYNN_The_Foreigner_Peacocks_and_Sunflowers.jpg","filename":"AnnaGLYNN_The_Foreigner_Peacocks_and_Sunflowers.jpg","slug":null,"img":"![\"Anna](\"https://franceskeevil.frb.io/artworks/AnnaGLYNN_The_Foreigner_Peacocks_and_Sunflowers.jpg\")
"}]},{"id":"18960","slug":"martyr","title":"Martyr","sold":[],"pageText":null,"price":"$2,300","materials":"1994\nOil on canvas\n30 x 30 cm / 36 x 36 cm framed\n\nPainted at Ramsholt, Suffolk, UK in the studio of Arthur Boyd. \nDuring Glynn’s time at Ramsholt she noticed many pheasants in the landscape. (The birds are bred and released for recreational hunting) \n\nThe pheasant is portrayed as a martyr in the tradition of catholic iconography.","showPrice":["true"],"artist":[{"id":"7558","slug":"anna-glynn","title":"Anna Glynn"}],"imageThumbnail":[],"images":[{"id":"18899","url":"https://franceskeevil.frb.io/artworks/AnnaGLYNN_Martyr.jpg","small":"https://franceskeevil.frb.io/artworks/_800xAUTO_crop_center-center_none/AnnaGLYNN_Martyr.jpg","medium":"https://franceskeevil.frb.io/artworks/_1200xAUTO_crop_center-center_none/AnnaGLYNN_Martyr.jpg","filename":"AnnaGLYNN_Martyr.jpg","slug":null,"img":"![\"Anna](\"https://franceskeevil.frb.io/artworks/AnnaGLYNN_Martyr.jpg\")
"}]},{"id":"18964","slug":"pheasant-heaven","title":"Pheasant Heaven","sold":[],"pageText":null,"price":"$8,500","materials":"1994 \nOil on canvas\n79 x 99 cm\n\nPainted at Ramsholt, Suffolk, UK in the studio of Arthur Boyd.\nDuring Glynn’s time at Ramsholt she noticed many pheasants in the landscape. (The birds are bred and released for recreational hunting).\n\nThis bevy of pheasants are portrayed as martyrs on their way to heaven. Moving towards the bright celestial sky in the distance.","showPrice":["true"],"artist":[{"id":"7558","slug":"anna-glynn","title":"Anna Glynn"}],"imageThumbnail":[],"images":[{"id":"18900","url":"https://franceskeevil.frb.io/artworks/AnnaGLYNN_Pheasant-Heaven.jpg","small":"https://franceskeevil.frb.io/artworks/_800xAUTO_crop_center-center_none/AnnaGLYNN_Pheasant-Heaven.jpg","medium":"https://franceskeevil.frb.io/artworks/_1200xAUTO_crop_center-center_none/AnnaGLYNN_Pheasant-Heaven.jpg","filename":"AnnaGLYNN_Pheasant-Heaven.jpg","slug":null,"img":"![\"Anna](\"https://franceskeevil.frb.io/artworks/AnnaGLYNN_Pheasant-Heaven.jpg\")
"}]},{"id":"18955","slug":"eurotipodes-excerpt-1","title":"Eurotipodes Excerpt 1","sold":[],"pageText":"Finalist Omnia Art Prize 2022","price":"$4,800","materials":"2018\nPhotomontage on 310gsm cotton rag\nNo. 1 in edition of 7\n64 x 100 cm / 66 x 102 cm framed\n\nGlynn’s Eurotipodes includes upended imagery from the sketchbook of British landscape artist John Glover.\n\nEurotipodes is a word that Glynn created in response to the European idea of Australia being ‘down under’ in the antipodes.","showPrice":["true"],"artist":[{"id":"7558","slug":"anna-glynn","title":"Anna Glynn"}],"imageThumbnail":[],"images":[{"id":"18897","url":"https://franceskeevil.frb.io/artworks/AnnaGLYNN_Eurotipodes-Excerpt-1.jpg","small":"https://franceskeevil.frb.io/artworks/_800xAUTO_crop_center-center_none/AnnaGLYNN_Eurotipodes-Excerpt-1.jpg","medium":"https://franceskeevil.frb.io/artworks/_1200xAUTO_crop_center-center_none/AnnaGLYNN_Eurotipodes-Excerpt-1.jpg","filename":"AnnaGLYNN_Eurotipodes-Excerpt-1.jpg","slug":null,"img":"![\"Anna](\"https://franceskeevil.frb.io/artworks/AnnaGLYNN_Eurotipodes-Excerpt-1.jpg\")
"}]},{"id":"9861","slug":"eurotipodes-colonial-capsize-2","title":"Eurotipodes - Colonial Capsize","sold":[],"pageText":"Finalist 2022 Heysen Prize for Landscape\nFinalist 2023 Ravenswood Australian Women’s Art Prize","price":"$4,500","materials":"2022\nPhotomontage on 310gsm cotton rag\nNo. 1 in edition of 5 plus 2 artist’s proofs\n38 x 50cm / 57 x 64cm framed\n\nIn ‘Eurotipodes - Colonial Capsize’ a semitransparent horse hangs upside down, merged with a kangaroo in a red colonial landscape. The diaphanous layered landscape reimagines colonial paintings from the Mitchell Library, referencing time, ecological and cultural change. Two iconic creatures are joined. In this work Glynn is reflecting on what is an ‘Australian’ landscape?","showPrice":["true"],"artist":[{"id":"7558","slug":"anna-glynn","title":"Anna Glynn"}],"imageThumbnail":[],"images":[{"id":"9860","url":"https://franceskeevil.frb.io/artworks/GLYNN_EurotipodesColonialCapsize.jpg","small":"https://franceskeevil.frb.io/artworks/_800xAUTO_crop_center-center_none/GLYNN_EurotipodesColonialCapsize.jpg","medium":"https://franceskeevil.frb.io/artworks/_1200xAUTO_crop_center-center_none/GLYNN_EurotipodesColonialCapsize.jpg","filename":"GLYNN_EurotipodesColonialCapsize.jpg","slug":null,"img":""}]},{"id":"9854","slug":"eurotipodes-awaiting-kangaroo-sofa","title":"Eurotipodes Awaiting – Kangaroo & Sofa","sold":[],"pageText":null,"price":"$5,600","materials":"2023\nArchival photomontage on cotton rag paper\nEdition of 7 plus 2 artist’s proofs\n100 x 84cm / 103 x 87cm framed\n\nThis work includes references to ‘Sydney Harbour Looking West’, 1848, by Jacob Janssen. \n\nFrom archives and public collections Glynn digitally captured colonial paintings, furniture, sculptures, flora and fauna. Combining these images with contemporary nature photography, Glynn creates multilayered imagery. A world of fantasia, a place on the cusp of reality and imagination.","showPrice":["true"],"artist":[{"id":"7558","slug":"anna-glynn","title":"Anna Glynn"}],"imageThumbnail":[],"images":[{"id":"9852","url":"https://franceskeevil.frb.io/artworks/GLYNN_Eurotipodes-Awaiting_Kangaroo_and_Sofa.jpg","small":"https://franceskeevil.frb.io/artworks/_800xAUTO_crop_center-center_none/GLYNN_Eurotipodes-Awaiting_Kangaroo_and_Sofa.jpg","medium":"https://franceskeevil.frb.io/artworks/_1200xAUTO_crop_center-center_none/GLYNN_Eurotipodes-Awaiting_Kangaroo_and_Sofa.jpg","filename":"GLYNN_Eurotipodes-Awaiting_Kangaroo_and_Sofa.jpg","slug":null,"img":""}]},{"id":"18908","slug":"wildlife-1","title":"Wildlife 1","sold":[],"pageText":null,"price":"$1,200","materials":"2025\nWildlife Camera, Motion Sensor, Infrared Inverted \nPigment photographic print on archival 310gsm cotton rag\nNo. 1 in edition of 5\n18.57 x 36cm\n\nWorking at night with her motion-detecting, trail camera, Glynn records the behaviour and activities of crepuscular and nocturnal animals.\n\nIn ‘Wildlife’, an inverted infra-red image, she places herself into the shared rainforest landscape, another curious playful creature!","showPrice":["true"],"artist":[{"id":"7558","slug":"anna-glynn","title":"Anna Glynn"}],"imageThumbnail":[],"images":[{"id":"18903","url":"https://franceskeevil.frb.io/artworks/AnnaGLYNN_Wildlife_1.jpg","small":"https://franceskeevil.frb.io/artworks/_800xAUTO_crop_center-center_none/AnnaGLYNN_Wildlife_1.jpg","medium":"https://franceskeevil.frb.io/artworks/_1200xAUTO_crop_center-center_none/AnnaGLYNN_Wildlife_1.jpg","filename":"AnnaGLYNN_Wildlife_1.jpg","slug":null,"img":"![\"Anna](\"https://franceskeevil.frb.io/artworks/AnnaGLYNN_Wildlife_1.jpg\")
"}]},{"id":"18983","slug":"cloudbird","title":"Cloudbird","sold":[],"pageText":"2021 Finalist Gosford Art Prize\n2021 Finalist Martin Hanson Memorial Art Award, 2nd place in Digital Section $1000 prize","price":"$4,750","materials":"2021 \nMoving image/video single channel MP4\nNo. 1 in edition of 7\n05:19 minutes\n\nCreated in Glynn’s rainforest home tucked under the steep cliffs of the Illawarra escarpment. The 2020/21 disasters: drought, fires, evacuations, floods and the pandemic created an opportunity in her isolation to embrace the cycle and rhythms of nature and spend extensive time in the forest observing and collecting field recordings. She witnessed the seductive, frenetic mating dance of the lyrebirds to create a multilayered diaphanous video.","showPrice":["true"],"artist":[{"id":"7558","slug":"anna-glynn","title":"Anna Glynn"}],"imageThumbnail":[],"images":[{"id":"18884","url":"https://franceskeevil.frb.io/artworks/AnnaGLYNN_Cloudbird_video-still-1.jpg","small":"https://franceskeevil.frb.io/artworks/_800xAUTO_crop_center-center_none/AnnaGLYNN_Cloudbird_video-still-1.jpg","medium":"https://franceskeevil.frb.io/artworks/_1200xAUTO_crop_center-center_none/AnnaGLYNN_Cloudbird_video-still-1.jpg","filename":"AnnaGLYNN_Cloudbird_video-still-1.jpg","slug":null,"img":"![\"Anna](\"https://franceskeevil.frb.io/artworks/AnnaGLYNN_Cloudbird_video-still-1.jpg\")
"}]},{"id":"18981","slug":"love-kindness-walk-humbly","title":"...love kindness...walk humbly...","sold":[],"pageText":"2020 Finalist Mandorla Art Award\n2020 Finalist Heysen Prize Winner People's Choice Award ($1000)\n2021 Acquired National Museum of Australia\n2021 Acquired Australian Parliament House Art Collection","price":"$4,750","materials":"2020\nMoving image/video single channel MP4\nNo. 3 in edition of 7\n04:00 minutes\n\nBorn out of Glynn’s response to the local catastrophic Black Summer, bushfires. In her studio surrounded by smoke she gave consideration to what was important to pack for evacuation. \n\nAfter the initial fires subsided, she began to record the blackened landscape, walking carefully through smouldering bush. In time rain fell and the charcoal trunks and ashen ground sprouted fresh new growth.","showPrice":["true"],"artist":[{"id":"7558","slug":"anna-glynn","title":"Anna Glynn"}],"imageThumbnail":[],"images":[{"id":"18886","url":"https://franceskeevil.frb.io/artworks/AnnaGLYNN_love-kindness-walk-humbly_still-1.jpg","small":"https://franceskeevil.frb.io/artworks/_800xAUTO_crop_center-center_none/AnnaGLYNN_love-kindness-walk-humbly_still-1.jpg","medium":"https://franceskeevil.frb.io/artworks/_1200xAUTO_crop_center-center_none/AnnaGLYNN_love-kindness-walk-humbly_still-1.jpg","filename":"AnnaGLYNN_love-kindness-walk-humbly_still-1.jpg","slug":null,"img":"![\"Anna](\"https://franceskeevil.frb.io/artworks/AnnaGLYNN_love-kindness-walk-humbly_still-1.jpg\")
"}]},{"id":"18979","slug":"marooned","title":"Marooned","sold":[],"pageText":"2019 MONA - the Museum of New Art, Estonia \n2019 Matsalu Nature Film Festival \n2020 Art of Threatened Species Western Plains Cultural Centre","price":"$5,750","materials":"2019\nMoving image/video single channel MP4\nNo. 1 in edition of 7\n07:00 minutes\n\nCreated atop an extinct volcano in response to the Mt Kaputar Snail and Slug Threatened Ecological Community. Hyper-coloured vignettes pay homage to the most notable creature, a giant pink slug, the only element in the moving image work left in its natural colour. \n\nIn 2019 massive bushfires roared across the mountain, decimating the habitat; great fears were held for the ecological community. However, during later rains numerous pink slugs were recorded.","showPrice":["true"],"artist":[{"id":"7558","slug":"anna-glynn","title":"Anna Glynn"}],"imageThumbnail":[],"images":[{"id":"18887","url":"https://franceskeevil.frb.io/artworks/AnnaGLYNN_Marooned_still.jpg","small":"https://franceskeevil.frb.io/artworks/_800xAUTO_crop_center-center_none/AnnaGLYNN_Marooned_still.jpg","medium":"https://franceskeevil.frb.io/artworks/_1200xAUTO_crop_center-center_none/AnnaGLYNN_Marooned_still.jpg","filename":"AnnaGLYNN_Marooned_still.jpg","slug":null,"img":"![\"Anna](\"https://franceskeevil.frb.io/artworks/AnnaGLYNN_Marooned_still.jpg\")
"}]},{"id":"18975","slug":"lost-species-a-folly-pied-butcherbird-in-mourning","title":"Lost Species - A Folly, Pied Butcherbird in Mourning","sold":[],"pageText":"Finalist Martin Hanson Memorial Art Awards 2022","price":"$4,750","materials":"2022\nMoving image/video single channel MP4\nNo. 1 in edition of 7\n03:52 minutes\n\nGlynn has animated and fractured her large-scale drawing ‘Extinction Coat of Arms’ depicting a reimagined Australian Coat of Arms into a kaleidoscopic folly, referencing colonial wallpapers. All of the Australian fauna portrayed are extinct.\n\nA layered soundscape includes field recording of the Pied Butcherbird remixed with ‘'Solecism' by composer Scott Buckley.","showPrice":["true"],"artist":[{"id":"7558","slug":"anna-glynn","title":"Anna Glynn"}],"imageThumbnail":[],"images":[{"id":"18885","url":"https://franceskeevil.frb.io/artworks/AnnaGLYNN_Lost-Species-A-Folly_still.jpg","small":"https://franceskeevil.frb.io/artworks/_800xAUTO_crop_center-center_none/AnnaGLYNN_Lost-Species-A-Folly_still.jpg","medium":"https://franceskeevil.frb.io/artworks/_1200xAUTO_crop_center-center_none/AnnaGLYNN_Lost-Species-A-Folly_still.jpg","filename":"AnnaGLYNN_Lost-Species-A-Folly_still.jpg","slug":null,"img":"![\"Anna](\"https://franceskeevil.frb.io/artworks/AnnaGLYNN_Lost-Species-A-Folly_still.jpg\")
"}]},{"id":"18977","slug":"antipodean-nocturne-extinction","title":"Antipodean Nocturne | Extinction","sold":[],"pageText":"Finalist Heysen Prize, Hahndorf Academy, South Australia 2018","price":"$5,750","materials":"2018\nMoving image/video single channel MP4\nNo. 1 in edition of 7\n07:00 minutes\n\nThrough a dramatic sfumato effect, this work explores our relationship with the Australian landscape. Filmed from a rainforest eyrie overlooking the Pacific Ocean, the video and audio were recorded on a hot, humid and stormy summer night… thunder, lightning, the love calls of cicadas… elemental forces at play as the planet warms… a potent display of nature. \n\nOver the duration of the work, text is gradually introduced to a cataclysmic storm - a list of Australian animals extinct since European arrival in 1788.","showPrice":["true"],"artist":[{"id":"7558","slug":"anna-glynn","title":"Anna Glynn"}],"imageThumbnail":[],"images":[{"id":"18883","url":"https://franceskeevil.frb.io/artworks/AnnaGLYNN_Antipodean_Nocturne-Extinction_still.jpg","small":"https://franceskeevil.frb.io/artworks/_800xAUTO_crop_center-center_none/AnnaGLYNN_Antipodean_Nocturne-Extinction_still.jpg","medium":"https://franceskeevil.frb.io/artworks/_1200xAUTO_crop_center-center_none/AnnaGLYNN_Antipodean_Nocturne-Extinction_still.jpg","filename":"AnnaGLYNN_Antipodean_Nocturne-Extinction_still.jpg","slug":null,"img":"![\"Anna](\"https://franceskeevil.frb.io/artworks/AnnaGLYNN_Antipodean_Nocturne-Extinction_still.jpg\")
"}]},{"id":"19317","slug":"anna-glynn-amusement","title":"Amusement","sold":[],"pageText":"This 80 page book, written and designed by the exhibition curator, Dr Natalie McDonagh, features a long format essay drawing on: extended periods the curator spent with Glynn in her studio; their long standing association, and extensive formal interviews.\n\n“What strikes me about the contemporary Dwelling series is how consistent the threads are in Glynn’s work from her early career, all the way through the works presented in the Amusement exhibition, and beyond. Glynn’s art calls on us to carefully consider where, and how, we are dwelling, and to consider all that has dwelt here before. Equally, her art calls on us to carefully consider how we are dwelling; how we dwell within ourselves, dwell within our environment (whatever, wherever that may be), and dwell in the company of others.”\nMcDonagh had access to Glynn’s archive of artwork spanning the 40 years of her multidisciplinary practice. With this access to the artist and her artwork, McDonagh’s book takes us on an insightful, guided tour of the world of Anna Glynn.","price":"$30","materials":"A publication created to accompany Anna Glynn’s solo exhibition, Amusement.\n\nAVAILABLE TO BUY ONLINE AT: https://www.ecstaticarmour.au/shop/p/anna-glynn-amusement\nAND AT STUDIO W THROUGHOUT THE EXHIBITION","showPrice":["true"],"artist":[{"id":"7558","slug":"anna-glynn","title":"Anna Glynn"}],"imageThumbnail":[],"images":[{"id":"19314","url":"https://franceskeevil.frb.io/artworks/AnnaGLYNN_Amusement-publication-cover.jpg","small":"https://franceskeevil.frb.io/artworks/_800xAUTO_crop_center-center_none/AnnaGLYNN_Amusement-publication-cover.jpg","medium":"https://franceskeevil.frb.io/artworks/_1200xAUTO_crop_center-center_none/AnnaGLYNN_Amusement-publication-cover.jpg","filename":"AnnaGLYNN_Amusement-publication-cover.jpg","slug":null,"img":"![\"Anna](\"https://franceskeevil.frb.io/artworks/AnnaGLYNN_Amusement-publication-cover.jpg\")
"},{"id":"19315","url":"https://franceskeevil.frb.io/artworks/AnnaGLYNN_Amusement-publication-spread1.jpg","small":"https://franceskeevil.frb.io/artworks/_800xAUTO_crop_center-center_none/AnnaGLYNN_Amusement-publication-spread1.jpg","medium":"https://franceskeevil.frb.io/artworks/_1200xAUTO_crop_center-center_none/AnnaGLYNN_Amusement-publication-spread1.jpg","filename":"AnnaGLYNN_Amusement-publication-spread1.jpg","slug":null,"img":"![\"Anna](\"https://franceskeevil.frb.io/artworks/AnnaGLYNN_Amusement-publication-spread1.jpg\")
"},{"id":"19316","url":"https://franceskeevil.frb.io/artworks/AnnaGLYNN_Amusement-publication-spread2.jpg","small":"https://franceskeevil.frb.io/artworks/_800xAUTO_crop_center-center_none/AnnaGLYNN_Amusement-publication-spread2.jpg","medium":"https://franceskeevil.frb.io/artworks/_1200xAUTO_crop_center-center_none/AnnaGLYNN_Amusement-publication-spread2.jpg","filename":"AnnaGLYNN_Amusement-publication-spread2.jpg","slug":null,"img":"![\"Anna](\"https://franceskeevil.frb.io/artworks/AnnaGLYNN_Amusement-publication-spread2.jpg\")
"}]}]},"exhibition_page":false}},
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